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Historical shift: Istanbul's Saint-Sauveur-in-Chora church reopens as a mosque

1 min

The historic Saint-Sauveur-in-Chora church, a stunning relic of Byzantine architecture in Istanbul, has recently been converted into a mosque, a move initiated by Turkish President Recep Tayyip Erdogan.

Originally built in the 5th century, the Saint-Sauveur-in-Chora church, also known as the Chora Church (Kariye in Turkish), has undergone several transformations throughout its history © Mena Today 

The historic Saint-Sauveur-in-Chora church, a stunning relic of Byzantine architecture in Istanbul, has recently been converted into a mosque, a move initiated by Turkish President Recep Tayyip Erdogan.

This transformation, which mirrors a similar conversion of the famous Hagia marks a significant cultural shift and has sparked international debate.

Originally built in the 5th century, the Saint-Sauveur-in-Chora church, also known as the Chora Church (Kariye in Turkish), has undergone several transformations throughout its history. After the fall of Constantinople in 1453, it was converted into a mosque by the Ottomans. It served as a mosque until the aftermath of World War II when it was turned into a museum in 1958 following extensive restorations led by American art historians.

The Chora Church is renowned for its breathtaking mosaics and frescoes, particularly those from the 14th century that depict complex biblical scenes, including a monumental rendition of the Last Judgment.

These artworks are considered masterpieces of Byzantine art and are crucial to the historical and cultural fabric of the region.

In 2020, President Erdogan ordered the conversion of the Chora Church into a mosque, a decision that came shortly after the re-designation of Hagia Sophia into a mosque as well.

This move was met with concern from art historians and conservationists who feared that the Islamic ban on figurative representations might threaten the preservation of the church’s invaluable mosaics and frescoes.

The conversion has been controversial, with significant criticism coming from Greece, which described the act as "another provocation towards believers and the international community." The global response has highlighted the delicate balance between cultural heritage and religious freedom.

The reopening of the Saint-Sauveur-in-Chora as a mosque represents a pivotal moment in the history of Istanbul’s religious and cultural landscape.

While it underscores Turkey's emphasis on its Islamic heritage, it also poses challenges regarding the preservation of its Christian art and architecture. 

The future of the Chora Church's treasured artworks remains uncertain as the world watches the impact of this significant cultural transition.

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